Jonathan rhys meyers toni collette dating. A difficult delight.



Jonathan rhys meyers toni collette dating

Jonathan rhys meyers toni collette dating

Culture A difficult delight Toni Collette is mass of contradictions - finding fame with 'Muriel's Wedding' she's made a career out of pathos but yearns for comedy. So who's it to be today?

Chloe Fox reports Toni Collette: By all accounts, the Australian actress comes in two different guises - the peace-and-love hippie chick 'Meditation is an essential aspect of my life' and the party animal 'I'm not averse to a little binge drink now and then'.

This is the girl who had a private audience with the Dalai Lama a few years ago and then got so drunk on tequila afterwards that she decided to have her head shaved. Unsure whether she'll be in green tea or green cocktail mode, I opt for an orange juice. My arrival at the Covent Garden Hotel has been greeted by not one, but two publicists - the first for About a Boy, the film I am here to discuss, and the second and by far the most frightening for Toni herself.

We'll just have to see how she copes. I'll go and collect her from her room now. Almost 10 years ago, a low-budget Australian film made a year-old girl from a Sydney suburb into an overnight star. Muriel's Wedding, an indie flick about an overweight, Abba-loving suburban misfit desperately seeking marriage, touched hearts worldwide and won for its female star, who gained three stone for the role, the Australian equivalent of an Oscar.

But despite the A-list star status, Collette has retained a dignified anonymity. You won't catch her airbrushed and underdressed on the cover of a magazine, giggling with Kylie front row at Julien Macdonald or welcoming Hello!

Unlike so many of her glossier contemporaries, Toni Collette is an actress first and an image second. She's no beauty in the conventional sense of the word - her forehead is too high and her teeth are too wonky - but there's a power in that face which defies you not to be transfixed. Her hair colour seems infinitely variable, but her virtual unrecognisability from one film to the next is about more than just vegetable dye: Her performance in the forthcoming About a Boy is no exception.

Adapted from Nick Hornby's hugely successful novel and directed by Chris and Paul Weitz of American Pie fame, the film is essentially about two boys - one, Will Hugh Grant , who refuses to grow up and the other, Marcus year-old newcomer Nicholas Hoult who has to. Will is an Audi-driving commitment-phobe whose only worry in life is where his next date is going to come from.

Marcus is a bullied schoolboy who thinks all his problems will be solved if his suicidal single mum ceases to be single. Collette plays Marcus's right-on hippie mother, Fiona, with an expert combination of humour and pathos, deftly steering her away from a lentils-and-hemp stereotype by emphasising her breaking heart.

What so many actresses could have turned into the caricatured antithesis of Hugh Grant's consumerist funny guy, Collette - absolutely true to form - makes her own. We were all unanimous in wanting Toni as our first choice. I was just scared she'd be too good and show me up. The Toni Collette who finally arrives, 15 minutes late, for our interview is, superficially, a far cry from Fiona. She is thinner and more fashionable in black trousers, trainers and a green-and-white striped viscose retro football shirt.

Her hair is cut in a peroxide blonde crop, making her huge eyes seem even larger. She may not be wearing Nepalese knits and Birkenstocks, but she is, none the less, in hippie mode. Her publicist is behind her, suggesting just about every alcoholic beverage known to man, but she is adamant. If I have a real drink I'll fall asleep right there at the table. I think I'll have a green tea. I'm so tired, I can hardly think. She is distracted and stares at her hands, the table, her teacup - anything rather than make eye contact.

What made her do About a Boy? There's a long pause and then, all in one breath, the reply, 'Well, um, the film makers are great people to work for, I admire Hugh enormously, the story is wonderful and, um, I had bought a house and really needed the money to pay for it. Perhaps the new house might be. Of course she does. But at least it gets her going.

If you're into it, it's fantastic but, if you're not, it's like "I think I'll go to bed now". I'm not into any of it at the moment. I'm almost 30 and I've really slowed down and learned to be gentle on my body.

I'm a Scorpio so I'm a pretty intense person - it really has taken me a while to work out who I am and what I want from this life. I was living out of a suitcase and burning the candle at both ends. But I tell you - I am totally over it.

I just want to find some inner peace and I think I'm getting there, slowly but surely. The shutters have come down again. She has always been a creature of extremes - it's what makes her so alive and so unpredictable.

I dived into my career and I hardly looked back. I was so afraid of the change, of being the black sheep of my family. A huge part of me felt sad and guilty about moving on in my life but another part of me really needed to do that. Her father, Bob, was a truck driver while her mother, Judy, worked for a courier company. When their headstrong only daughter decided, at the age of 16, that she was leaving school to become an actress, they had no option but to support her.

I always had this stuff inside me that I felt I needed to let out and acting seemed the best way to do that. The only way, really. Lonely, abandoned, undesirable - the women she plays more often than not seem defined by their otherness. They are outsiders, but behind their isolation is a strong sense of self. Like The Sixth Sense before it, About a Boy sees her playing a hurting woman trying to bring up her little man. In Stephen Daldry's forthcoming The Hours, the hurt is evident once more as she portrays Kitty, a woman whose life is destroyed by childlessness.

Emptiness may be her professional forte, but Toni Collette has had enough. I feel depleted by all this sadness. I just want to do a funny movie. I need to do a funny movie.

She speaks mysteriously about 'stuff going on inside' but rarely expands. The closest she gets to elaborating is when she tells me that for eight months before she started filming The Sixth Sense in she was experiencing panic attacks.

That, combined with the end of a year-long affair with her Velvet Goldmine co-star, Jonathan Rhys Meyers, brought her to a crisis point. It was during filming that I started to meditate daily. I think it helped my performance in a way because I was very connected to myself.

She just can't seem to disguise the fact that she would rather be anywhere other than here. When, in slight desperation, I resort to mentioning a mutual friend, however, the effect is dramatic. This is so fantastic! Leaning forward and clutching my arm, her huge eyes finally meet mine straight on and I wonder why this point of contact should make me so much more interesting than I was before.

It is somehow as if she is reassured and can now feel free to trade intimacies, without resenting the intrusion. And this one can barely draw breath. She is in love, she tells me. So in love that she barely knows what to do with herself. The object of her affections is called Dave and is the drummer with an Australian band called Gelbison.

That was at one in the afternoon, she left at nine and I was there until two in the morning. He came home with me and he has never left. He is the best person on the planet and there is this amazing warmth and connection between us. The best thing is that he doesn't really care what I do. He just loves me for me. Meeting him has made me realise what it is that's been missing from my life all along, you know? She tells me about the Oscars 'So daunting, so silly, but quite enjoyable all the same' and fame 'I can't deny that sitting in a room three feet away from Meryl Streep is exciting, but making movies can be a very lonely experience'.

She gleefully outlines the production company, Figurehead Films, that she and a female friend have set up and the two scripts - one about a female navigator and the other about a women's gang that ran rampage in Sydney in the Thirties - that they are trying to get made.

I am finally experiencing the Toni Collette who Hugh Grant described to me as 'very unprecious for such a highly regarded actress' with 'none of that hushed-voice self-importance you find in a lot of the "incredible actor" group'. But, let's face it, her life does place her firmly in the incredible actor group and, inevitably, the reality clock strikes.

I'm just about to reassure her that it's all going swimmingly and I'm sure Toni won't mind staying a little longer when my new best friend stands up to go.

As I fumble with my coat and prepare to take on the rain, I can't help but wish that I could have had a few cocktails with Toni Collette, the year-old in love, rather than green tea with Toni Collette the movie star, with the publicist for a bodyguard.

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Jonathan Rhys Meyers Makes Debut On History's 'Vikings'



Jonathan rhys meyers toni collette dating

Culture A difficult delight Toni Collette is mass of contradictions - finding fame with 'Muriel's Wedding' she's made a career out of pathos but yearns for comedy. So who's it to be today? Chloe Fox reports Toni Collette: By all accounts, the Australian actress comes in two different guises - the peace-and-love hippie chick 'Meditation is an essential aspect of my life' and the party animal 'I'm not averse to a little binge drink now and then'.

This is the girl who had a private audience with the Dalai Lama a few years ago and then got so drunk on tequila afterwards that she decided to have her head shaved. Unsure whether she'll be in green tea or green cocktail mode, I opt for an orange juice. My arrival at the Covent Garden Hotel has been greeted by not one, but two publicists - the first for About a Boy, the film I am here to discuss, and the second and by far the most frightening for Toni herself.

We'll just have to see how she copes. I'll go and collect her from her room now. Almost 10 years ago, a low-budget Australian film made a year-old girl from a Sydney suburb into an overnight star. Muriel's Wedding, an indie flick about an overweight, Abba-loving suburban misfit desperately seeking marriage, touched hearts worldwide and won for its female star, who gained three stone for the role, the Australian equivalent of an Oscar.

But despite the A-list star status, Collette has retained a dignified anonymity. You won't catch her airbrushed and underdressed on the cover of a magazine, giggling with Kylie front row at Julien Macdonald or welcoming Hello! Unlike so many of her glossier contemporaries, Toni Collette is an actress first and an image second.

She's no beauty in the conventional sense of the word - her forehead is too high and her teeth are too wonky - but there's a power in that face which defies you not to be transfixed.

Her hair colour seems infinitely variable, but her virtual unrecognisability from one film to the next is about more than just vegetable dye: Her performance in the forthcoming About a Boy is no exception. Adapted from Nick Hornby's hugely successful novel and directed by Chris and Paul Weitz of American Pie fame, the film is essentially about two boys - one, Will Hugh Grant , who refuses to grow up and the other, Marcus year-old newcomer Nicholas Hoult who has to.

Will is an Audi-driving commitment-phobe whose only worry in life is where his next date is going to come from. Marcus is a bullied schoolboy who thinks all his problems will be solved if his suicidal single mum ceases to be single. Collette plays Marcus's right-on hippie mother, Fiona, with an expert combination of humour and pathos, deftly steering her away from a lentils-and-hemp stereotype by emphasising her breaking heart.

What so many actresses could have turned into the caricatured antithesis of Hugh Grant's consumerist funny guy, Collette - absolutely true to form - makes her own.

We were all unanimous in wanting Toni as our first choice. I was just scared she'd be too good and show me up. The Toni Collette who finally arrives, 15 minutes late, for our interview is, superficially, a far cry from Fiona. She is thinner and more fashionable in black trousers, trainers and a green-and-white striped viscose retro football shirt. Her hair is cut in a peroxide blonde crop, making her huge eyes seem even larger.

She may not be wearing Nepalese knits and Birkenstocks, but she is, none the less, in hippie mode. Her publicist is behind her, suggesting just about every alcoholic beverage known to man, but she is adamant. If I have a real drink I'll fall asleep right there at the table. I think I'll have a green tea. I'm so tired, I can hardly think. She is distracted and stares at her hands, the table, her teacup - anything rather than make eye contact.

What made her do About a Boy? There's a long pause and then, all in one breath, the reply, 'Well, um, the film makers are great people to work for, I admire Hugh enormously, the story is wonderful and, um, I had bought a house and really needed the money to pay for it. Perhaps the new house might be.

Of course she does. But at least it gets her going. If you're into it, it's fantastic but, if you're not, it's like "I think I'll go to bed now". I'm not into any of it at the moment. I'm almost 30 and I've really slowed down and learned to be gentle on my body. I'm a Scorpio so I'm a pretty intense person - it really has taken me a while to work out who I am and what I want from this life. I was living out of a suitcase and burning the candle at both ends.

But I tell you - I am totally over it. I just want to find some inner peace and I think I'm getting there, slowly but surely. The shutters have come down again. She has always been a creature of extremes - it's what makes her so alive and so unpredictable. I dived into my career and I hardly looked back. I was so afraid of the change, of being the black sheep of my family. A huge part of me felt sad and guilty about moving on in my life but another part of me really needed to do that.

Her father, Bob, was a truck driver while her mother, Judy, worked for a courier company. When their headstrong only daughter decided, at the age of 16, that she was leaving school to become an actress, they had no option but to support her.

I always had this stuff inside me that I felt I needed to let out and acting seemed the best way to do that.

The only way, really. Lonely, abandoned, undesirable - the women she plays more often than not seem defined by their otherness. They are outsiders, but behind their isolation is a strong sense of self. Like The Sixth Sense before it, About a Boy sees her playing a hurting woman trying to bring up her little man.

In Stephen Daldry's forthcoming The Hours, the hurt is evident once more as she portrays Kitty, a woman whose life is destroyed by childlessness. Emptiness may be her professional forte, but Toni Collette has had enough. I feel depleted by all this sadness. I just want to do a funny movie. I need to do a funny movie. She speaks mysteriously about 'stuff going on inside' but rarely expands. The closest she gets to elaborating is when she tells me that for eight months before she started filming The Sixth Sense in she was experiencing panic attacks.

That, combined with the end of a year-long affair with her Velvet Goldmine co-star, Jonathan Rhys Meyers, brought her to a crisis point. It was during filming that I started to meditate daily. I think it helped my performance in a way because I was very connected to myself. She just can't seem to disguise the fact that she would rather be anywhere other than here. When, in slight desperation, I resort to mentioning a mutual friend, however, the effect is dramatic.

This is so fantastic! Leaning forward and clutching my arm, her huge eyes finally meet mine straight on and I wonder why this point of contact should make me so much more interesting than I was before.

It is somehow as if she is reassured and can now feel free to trade intimacies, without resenting the intrusion. And this one can barely draw breath. She is in love, she tells me. So in love that she barely knows what to do with herself. The object of her affections is called Dave and is the drummer with an Australian band called Gelbison. That was at one in the afternoon, she left at nine and I was there until two in the morning.

He came home with me and he has never left. He is the best person on the planet and there is this amazing warmth and connection between us. The best thing is that he doesn't really care what I do. He just loves me for me. Meeting him has made me realise what it is that's been missing from my life all along, you know? She tells me about the Oscars 'So daunting, so silly, but quite enjoyable all the same' and fame 'I can't deny that sitting in a room three feet away from Meryl Streep is exciting, but making movies can be a very lonely experience'.

She gleefully outlines the production company, Figurehead Films, that she and a female friend have set up and the two scripts - one about a female navigator and the other about a women's gang that ran rampage in Sydney in the Thirties - that they are trying to get made. I am finally experiencing the Toni Collette who Hugh Grant described to me as 'very unprecious for such a highly regarded actress' with 'none of that hushed-voice self-importance you find in a lot of the "incredible actor" group'.

But, let's face it, her life does place her firmly in the incredible actor group and, inevitably, the reality clock strikes.

I'm just about to reassure her that it's all going swimmingly and I'm sure Toni won't mind staying a little longer when my new best friend stands up to go. As I fumble with my coat and prepare to take on the rain, I can't help but wish that I could have had a few cocktails with Toni Collette, the year-old in love, rather than green tea with Toni Collette the movie star, with the publicist for a bodyguard.

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4 Comments

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